{"id":292,"date":"2025-03-05T22:44:00","date_gmt":"2025-03-05T21:44:00","guid":{"rendered":"https:\/\/ytsum.avalonsoft.de\/index.php\/2025\/03\/05\/graduado-en-berklee-explica-dorico-b2\/"},"modified":"2025-03-05T22:44:00","modified_gmt":"2025-03-05T21:44:00","slug":"graduado-en-berklee-explica-dorico-b2","status":"publish","type":"post","link":"https:\/\/ytsum.avalonsoft.de\/index.php\/2025\/03\/05\/graduado-en-berklee-explica-dorico-b2\/","title":{"rendered":"Graduado en Berklee explica D\u00f3rico b2"},"content":{"rendered":"<h1>Graduado en Berklee explica D\u00f3rico b2 &#8211; Comamusical<\/h1>\n<h2>Video<\/h2>\n<p><img decoding=\"async\" src=\"http:\/\/img.youtube.com\/vi\/n7qVh6JlT0w\/0.jpg\"\/><\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=n7qVh6JlT0w\">https:\/\/www.youtube.com\/watch?v=n7qVh6JlT0w<\/a><\/p>\n<h2>Summary<\/h2>\n<p>### Summary<br \/>\nThe text discusses the use of the second mode of the melodic minor scale, known as Dorian flat 2 or sus4 chords. This scale is used on dominant chords and can be employed in modal interchange to emulate major tonality chords in parallel minor tonality. The Dorian Flat 2 of C\u266d (C\u266d Dorian) is a mode of the Melodic Minor Flat and can be used in dominants that resolve to major chords, with this effect being more pronounced with major chords but still applicable in minor chords.<\/p>\n<h3>Highlights<\/h3>\n<ul>\n<li>\ud83c\udfb5 <em>Melodic Minor Scale<\/em>: The second mode of the melodic minor scale is also known as Dorian flat 2 or sus4 chords.<\/li>\n<li>\ud83d\udcd0 <em>Usage<\/em>: It is used on dominant chords and resolves on major chords.<\/li>\n<li>\ud83d\udd14 <em>Modes<\/em>: It is a mode of the melodic minor flat scale, starting with the second degree.<\/li>\n<li>\ud83c\udfb6 <em>Beautiful Sound<\/em>: The sound is created by playing a minor fourth with bass in the fifth degree.<\/li>\n<li>\ud83d\udcdd <em>Application<\/em>: Can be used in contexts like modal interchange to emulate major tonality chords in parallel minor tonality.<\/li>\n<\/ul>\n<h3>Key Takeaways<\/h3>\n<ul>\n<li>\ud83c\udfb9 Dorian Flat 2 of C\u266d (C\u266d Dorian) is a mode of the Melodic Minor Flat<\/li>\n<li>\ud83d\udcfa This mode can be used in dominants that resolve to major chords, with effects more pronounced with major chords but still applicable in minor chords<\/li>\n<li>\ud83c\udfb6 The sound created by playing a minor fourth with bass in the fifth degree<\/li>\n<li>\ud83c\udfb5 B\u266d9 chord when you see a dominant resolving to a major chord<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<h1>Graduado en Berklee explica D\u00f3rico b2 &#8211; Comamusical<\/h1>\n<h2>Video<\/h2>\n<p><img decoding=\"async\" src=\"http:\/\/img.youtube.com\/vi\/n7qVh6JlT0w\/0.jpg\"\/><\/p>\n<p>https:\/\/www.youtube.com\/watch?v=n7qVh6JlT0w<\/p>\n<h2>Summary<\/h2>\n<p>### Summary<br \/>\nThe text discusses the use of the second mode of the melodic minor scale, known as Dorian flat 2 or sus4 chords. This scale is used on dominant chords and can be employed in modal interchange to emulate major tonality chords in parallel minor tonality. The Dorian Flat 2 of C\u266d (C\u266d Dorian) is a mode of the Melodic Minor Flat and can be used in dominants that resolve to major chords, with this effect being more pronounced with major chords but still applicable in minor chords.<\/p>\n<h3>Highlights<\/h3>\n<ul>\n<li>\ud83c\udfb5 <em>Melodic Minor Scale<\/em>: The second mode of the melodic minor scale is also known as Dorian flat 2 or sus4 chords.<\/li>\n<li>\ud83d\udcd0 <em>Usage<\/em>: It is used on dominant chords and resolves on major chords.<\/li>\n<li>\ud83d\udd14 <em>Modes<\/em>: It is a mode of the melodic minor flat scale, starting with the second degree.<\/li>\n<li>\ud83c\udfb6 <em>Beautiful Sound<\/em>: The sound is created by playing a minor fourth with bass in the fifth degree.<\/li>\n<li>\ud83d\udcdd <em>Application<\/em>: Can be used in contexts like modal interchange to emulate major tonality chords in parallel minor tonality.<\/li>\n<\/ul>\n<h3>Key Takeaways<\/h3>\n<ul>\n<li>\ud83c\udfb9 Dorian Flat 2 of C\u266d (C\u266d Dorian) is a mode of the Melodic Minor Flat<\/li>\n<li>\ud83d\udcfa This mode can be used in dominants that resolve to major chords, with effects more pronounced with major chords but still applicable in minor chords<\/li>\n<li>\ud83c\udfb6 The sound created by playing a minor fourth with bass in the fifth degree<\/li>\n<li>\ud83c\udfb5 B\u266d9 chord when you see a dominant resolving to a major chord<\/li>\n<\/ul>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-292","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/ytsum.avalonsoft.de\/index.php\/wp-json\/wp\/v2\/posts\/292","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ytsum.avalonsoft.de\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ytsum.avalonsoft.de\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ytsum.avalonsoft.de\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ytsum.avalonsoft.de\/index.php\/wp-json\/wp\/v2\/comments?post=292"}],"version-history":[{"count":0,"href":"https:\/\/ytsum.avalonsoft.de\/index.php\/wp-json\/wp\/v2\/posts\/292\/revisions"}],"wp:attachment":[{"href":"https:\/\/ytsum.avalonsoft.de\/index.php\/wp-json\/wp\/v2\/media?parent=292"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ytsum.avalonsoft.de\/index.php\/wp-json\/wp\/v2\/categories?post=292"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ytsum.avalonsoft.de\/index.php\/wp-json\/wp\/v2\/tags?post=292"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}