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https:\/\/www.youtube.com\/watch?v=Dlbq0v06WkE<\/a><\/p>\nSummary<\/h2>\n### Summary\nThe discussion revolves around Tobias Carlson’s song „Hey Bro Follow Whatever That Means“ during Feedback Friday. The reviewer finds it an unusual song with cool elements and effective storytelling, despite some initial dislike. <\/p>\nHighlights<\/h3>\n\nThe intro seems improvised and doesn’t work well for the reviewer.<\/li>\nThe use of reverb with high pre-delay on vocals is appreciated.<\/li>\nThe second verse has a melody change that draws the listener in.<\/li>\nLyrically, the storytelling is great but sometimes too many details are included.<\/li>\nThe chorus is catchy but not commercial.<\/li>\n<\/ul>\nKey Takeaways<\/h3>\n\nSuggests simplifying the arrangement to let vocals shine through.<\/li>\nRecommends changing up the traditional song structure for a more unique pattern.<\/li>\nCriticizes the complexity of the chorus and tail at the end, reducing its catchiness.<\/li>\nVolume issues in the mix are attributed to improper level adjustments during mixing.<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"WEIRD AND CATCHY? | Feedback Friday S2E7 (Tobias Karlsson) – Holistic Songwriting<\/h1>\nVideo<\/h2>\n<\/p>\nhttps:\/\/www.youtube.com\/watch?v=Dlbq0v06WkE<\/p>\nSummary<\/h2>\n### Summary\nThe discussion revolves around Tobias Carlson’s song „Hey Bro Follow Whatever That Means“ during Feedback Friday. The reviewer finds it an unusual song with cool elements and effective storytelling, despite some initial dislike. <\/p>\nHighlights<\/h3>\n\nThe intro seems improvised and doesn’t work well for the reviewer.<\/li>\nThe use of reverb with high pre-delay on vocals is appreciated.<\/li>\nThe second verse has a melody change that draws the listener in.<\/li>\nLyrically, the storytelling is great but sometimes too many details are included.<\/li>\nThe chorus is catchy but not commercial.<\/li>\n<\/ul>\nKey Takeaways<\/h3>\n\nSuggests simplifying the arrangement to let vocals shine through.<\/li>\nRecommends changing up the traditional song structure for a more unique pattern.<\/li>\nCriticizes the complexity of the chorus and tail at the end, reducing its catchiness.<\/li>\nVolume issues in the mix are attributed to improper level adjustments during mixing.<\/li>\n<\/ul>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-284","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/ytsum.avalonsoft.de\/index.php\/wp-json\/wp\/v2\/posts\/284","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ytsum.avalonsoft.de\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ytsum.avalonsoft.de\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ytsum.avalonsoft.de\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ytsum.avalonsoft.de\/index.php\/wp-json\/wp\/v2\/comments?post=284"}],"version-history":[{"count":0,"href":"https:\/\/ytsum.avalonsoft.de\/index.php\/wp-json\/wp\/v2\/posts\/284\/revisions"}],"wp:attachment":[{"href":"https:\/\/ytsum.avalonsoft.de\/index.php\/wp-json\/wp\/v2\/media?parent=284"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ytsum.avalonsoft.de\/index.php\/wp-json\/wp\/v2\/categories?post=284"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ytsum.avalonsoft.de\/index.php\/wp-json\/wp\/v2\/tags?post=284"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
### Summary\nThe discussion revolves around Tobias Carlson’s song „Hey Bro Follow Whatever That Means“ during Feedback Friday. The reviewer finds it an unusual song with cool elements and effective storytelling, despite some initial dislike. <\/p>\n
https:\/\/www.youtube.com\/watch?v=Dlbq0v06WkE<\/p>\n
![](\"http:\/\/img.youtube.com\/vi\/Dlbq0v06WkE\/0.jpg\"\/)
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